Mary ann doane term papers
Mary Ann Deane discusses the use of voice in cinematic presentation in this article. She determines the acceptance of voice by the viewer by defining the phantasmal body of a film. This body is the replica created by the technology itself. It is the body of the character and of the film. Voices within a cinematic presentation are assumed by the audience to come from this body, even If they are off-screen voices.
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Mary Ann Doane's "The Voice In The Cinema", Sample of Essays
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Subjectivity and desire: An (other) way of looking
Van Zoonen stresses the difficulty of the proponents of psychoanalysis to explain the pleasures of female spectatorship, which, nevertheless, can be accounted for by employing different perspectives on media studies. After discussing ideas regarding the male gaze, Van Zoonen turns her attention to the way images of men are presented in popular media, emphasising the fact that, out of fear that their image could be homosexualised, different methods and narrative codes are employed in order to make the objectification of male bodies less evident. Hence, the traditional perception of men being the ones who have the power and women the ones who are looked at is still in place in patriarchal cultures, even though there are signs of trying to put it aside. OUTLINE women are constructed in western popular media as being the passive object of the male gaze, whereas men as being the ones who act; the psychoanalytical paradigm was employed to explain this state of facts.
Mary Ann Doane discusses the use of voice in cinematic presentation in this article. She determines the acceptance of voice by the viewer by defining the phantasmatic body of a film. This body is the replica created by the technology itself. It is the body of the character and of the film.
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