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Essay film festival 2018

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This screening is followed by a conversation between Vivienne Dick and the filmmaker and writer Bev Zalcock. This programme brings three recent films by Vivienne Dick into a dialogue with a key earlier work in her oeuvre. Fusing elements of performance, documentary and home movies, Dick is a filmmaker whose work continues to evade categorisation. Born in Donegal in , Vivienne Dick studied at University College, Dublin, before moving to New York in the late s where she was part of a group of filmmakers whose affiliation to the music and aesthetic of punk became known as 'No Wave'.
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Obscure Light (2018)

Essay film festival 2018
Essay film festival 2018
Essay film festival 2018
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Essay Film Festival Va, Toto! Discussion by BIMI | Free Listening on SoundCloud

Having previously shown their work at the inaugural Essay Film Festival in , the Otolith Group return this year with the UK cinema premiere of their latest film, The Third Part of the Third Measure , an essay about the work of Julius Eastman, the queer African-American avant-garde composer, pianist, vocalist and conductor. From the late s until his death in at the age of 50, Eastman wrote and performed compositions whose ecstatic militant minimalism initiated a black radical aesthetic that revolutionized the East Coast new music scene of the s and s. No recordings of Eastman's compositions were released during his lifetime. These titles were redacted from the concert programme printed by the Music Department, but before the concert, which took place on 16 January , Eastman delivered a public statement that responded to these objections. The full Essay Film Festival programme can be viewed on the official website.
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Essay Film Festival 2018: The Third Part of the Third Measure

Her books have been translated into 28 languages. In , she was named as one of Granta magazine's Best of Young British Novelists, a list drawn up once a decade. Xiaolu Guo grew up with her illiterate grandparents in a village of fishermen, then with her parents and brother in the city of Wenling , both in the Chinese coastal province of Zhejiang.
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African-American filmmakers can often be found working in the documentary form — which often presents fewer financial and political hurdles than feature filmmaking — and some have made entire bodies of work, exploring complex issues of race and urban identity, often within an academic framework. The quiet, observant approach is reminiscent of recent documentaries in a similar vein such as Hale County This Morning, This Evening by RaMell Ross and the work of Kevin Jerome Everson in that sense of a sort of decontextualised Black present-day life, of people seen in a very specific place, albeit always laden with unavoidable historical connotations and meaning. RaMell Ross in his film is a little more playful, using intertitles to sometimes wryly comment on what is seen.
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